Ci Celli Ddu
08-29-2007, 10:49 PM
Coming across the reference to the Qlippoth as the "Nine Keys to Hell" I obviously thought of the De Umbrarum Regni Novem Portis, the fictional grimoire featured in Arturo Perez-Reverte's excellent novel El Club Dumas, on which the movie The Ninth Gate is (very loosely) based. If you've seen the movie then don't let that stop you reading the novel, as they are substantially seperate enteties, and the twists and turns in the novel will surprise you the more for having seen the film.
At first glance the nine engravings (http://www.eclectichistorian.net/Engravings/) of the fictional grimoire appear to have been created with some knowledge of both the Qlippoth and the Qabbalah. It would seem that these engravings do incorporate symbolic elements from both the Qabbalah and the Tarot, not least that they are ten in number, as Eclectic Historian (http://www.eclectichistorian.net/) explains:
This...is essentially a step-by-step guide to summoning Satan, and buried within the text are ten engravings - a printer's mark and nine illustrations representing each of the "doors" that need to be opened along the way.
In reality the woodcut engravings in the novel were designed by the Spanish artist Francisco Sole. The engravings have a tarot-like quality and are rich in symbolism- and "variations."
Although the idea of books containing dark secrets is nothing new (a literary device perfected decades ago by H.P. Lovecraft), Francisco Sole's engravings constitute a unique graphic representation of an occult mystery. These engravings, along with Arturo Perez Reverte's tale, present a troubling meditation on the nature of knowledge. If knowledge is power and power corrupts- if eating of the tree of knowledge was the original sin- then can enlightenment come only at the price of damnation?
By looking at the tables of Sephirothic Correspondences (which include each Sephirah's "Klippoth") on pages 21-28 of Colin Low's A Depth of Beginning (PDF) (http://satanicsingles.com/library/notes_on_Kaballah.pdf), as well as pgs 81-83 on the Letters & the Paths, and pgs 91-102 on the Tarot and the Tree, one can make comparisons with the symbolism contained in the engravings. Any systemised correlation between them and the Qabbalah would be an invention on the part of the reader, nevertheless the intent to correlate them can be an entertaining exercise in symbolism. The ten engravings are:
The Printer's Mark
SIC LUCEAT LUX (http://www.eclectichistorian.net/Engravings/Frontis.html#Caption)
Thus shines the light
The Gates
NEMO PERVENIT QUI NON LEGITIME CERTAVERIT (http://www.eclectichistorian.net/Engravings/One.html#Caption)
Only he who has fought according to the rules will succeed
CLAUSAE PATENT (http://www.eclectichistorian.net/Engravings/Two.html#Caption)
They open that which is closed
VERBUM DIMISSUM CUSTODIAT ARCANUM (http://www.eclectichistorian.net/Engravings/Three.html#Caption)
The lost word keeps the secret
FORTUNA NON OMNIBUS AEQUE (http://www.eclectichistorian.net/Engravings/Four.html#Caption)
Fate is not the same for all
FRUSTRA (http://www.eclectichistorian.net/Engravings/Five.html#Caption)
In vain
DITESCO MORI (http://www.eclectichistorian.net/Engravings/Six.html#Caption)
I am enriched by death
DISCIPULUS POTIOR MAGISTRO (http://www.eclectichistorian.net/Engravings/Seven.html#Caption)
The disciple surpasses the master
VICTA IACET VIRTUS (http://www.eclectichistorian.net/Engravings/Eight.html#Caption)
Virtue lies defeated
NUNC SCIO TENEBRIS LUX (http://www.eclectichistorian.net/Engravings/Nine.html#Caption)
Now I know that darkness comes from light
At first glance the nine engravings (http://www.eclectichistorian.net/Engravings/) of the fictional grimoire appear to have been created with some knowledge of both the Qlippoth and the Qabbalah. It would seem that these engravings do incorporate symbolic elements from both the Qabbalah and the Tarot, not least that they are ten in number, as Eclectic Historian (http://www.eclectichistorian.net/) explains:
This...is essentially a step-by-step guide to summoning Satan, and buried within the text are ten engravings - a printer's mark and nine illustrations representing each of the "doors" that need to be opened along the way.
In reality the woodcut engravings in the novel were designed by the Spanish artist Francisco Sole. The engravings have a tarot-like quality and are rich in symbolism- and "variations."
Although the idea of books containing dark secrets is nothing new (a literary device perfected decades ago by H.P. Lovecraft), Francisco Sole's engravings constitute a unique graphic representation of an occult mystery. These engravings, along with Arturo Perez Reverte's tale, present a troubling meditation on the nature of knowledge. If knowledge is power and power corrupts- if eating of the tree of knowledge was the original sin- then can enlightenment come only at the price of damnation?
By looking at the tables of Sephirothic Correspondences (which include each Sephirah's "Klippoth") on pages 21-28 of Colin Low's A Depth of Beginning (PDF) (http://satanicsingles.com/library/notes_on_Kaballah.pdf), as well as pgs 81-83 on the Letters & the Paths, and pgs 91-102 on the Tarot and the Tree, one can make comparisons with the symbolism contained in the engravings. Any systemised correlation between them and the Qabbalah would be an invention on the part of the reader, nevertheless the intent to correlate them can be an entertaining exercise in symbolism. The ten engravings are:
The Printer's Mark
SIC LUCEAT LUX (http://www.eclectichistorian.net/Engravings/Frontis.html#Caption)
Thus shines the light
The Gates
NEMO PERVENIT QUI NON LEGITIME CERTAVERIT (http://www.eclectichistorian.net/Engravings/One.html#Caption)
Only he who has fought according to the rules will succeed
CLAUSAE PATENT (http://www.eclectichistorian.net/Engravings/Two.html#Caption)
They open that which is closed
VERBUM DIMISSUM CUSTODIAT ARCANUM (http://www.eclectichistorian.net/Engravings/Three.html#Caption)
The lost word keeps the secret
FORTUNA NON OMNIBUS AEQUE (http://www.eclectichistorian.net/Engravings/Four.html#Caption)
Fate is not the same for all
FRUSTRA (http://www.eclectichistorian.net/Engravings/Five.html#Caption)
In vain
DITESCO MORI (http://www.eclectichistorian.net/Engravings/Six.html#Caption)
I am enriched by death
DISCIPULUS POTIOR MAGISTRO (http://www.eclectichistorian.net/Engravings/Seven.html#Caption)
The disciple surpasses the master
VICTA IACET VIRTUS (http://www.eclectichistorian.net/Engravings/Eight.html#Caption)
Virtue lies defeated
NUNC SCIO TENEBRIS LUX (http://www.eclectichistorian.net/Engravings/Nine.html#Caption)
Now I know that darkness comes from light