Dragon
08-07-2006, 01:40 AM
Well, I had to start somewhere, so it might as well be here. I have been involved in the study of mutational alchemy/neurogenetic reprogramming for some 20 years now, and have seen both lab applications, and field experiments pass under my hands, and the hands of my studymates. As it relates to a lab setting I will address shortly in the appropriate thread, but for now I wanted to open the discussion of field work. After one has done experiments in a controlled environment, it is a natural progression to start to collect emperical data through application in an uncontrolled environment. Let us distiguish though between a field as in "A field effect, or energy field: and THE field as in "upon the field, or in the field". I will do my best to keep the two concepts defined as accurately as possible. Such is the English language, we have many words that mean multiple things, and the word field is used a lot in these studies. In essence they are the same principle, but differ in academic terms.
In my field work, I suppose I have simply expanded the lab work to encompass a more dynamic range of subjects and tools. I will offer two examples to start. Then see where this goes.
Application 1. Public events.
Through my studies of the Body of Light as mapped out in the Tree of Life, abrahadabra, the Tetractys, the Chings, and a host of other related systems; as well as studying wave technology, (sound, light, radio, brain, etc.), human biology and chemistry - I was enabled to apply my art in network broadcasting, corporate and governmental teleconferences, clubs, concerts, large festivals, and sacred gatherings. Running the master control board, the sound board, or the light board, and then becoming the production manager or designing the entire production put me in a position to reproduce and study the effects of mutational alchemy upon subjects other then myself, or my studymates. In example, laying out a light show in sacred geometrical forms, assigning colors according to the Queen's Scale, or the King's Scale. Assigning beats based upon the Various Ching 'grams, or expanding and reducing frequencies based upon their placement on the Tree, or yet again, noting what frequencies induced changes, and in what order, then corrosponding them to the Tree/Ching/Tetractys to find insight to the waveforms' behaviour. When I would open a production, was there a difference in the mood of the crew, or crowd, when I did or did not apply a sigil or sign beforehand. What worked live? What worked through broadcast media? Length of effect? Type of effect? I was on it! All kinds of reactions! Some spiritual, some base, sometimes nothing, but usually something.
What I found was explosive. I was able to communicate to people in one of the most intimate nonverbal forms there is. Pure vibration. Combinations of sound, light, and magickal invocation/banishment produced real results. Some that lasted a minute, an hour, or a day; and others that lasted weeks, or even years. At times I could see an effect sweep across a crowd in a fraction of a second. Other times, weeks later, someone would have an epiphany related to what I had done. Ours is the Great and Secret Work. Aum.
Application 2. Ceremonial/Initiatory. Same principles in effect, but with different tools. Less tech and more prop. Over the years, Myself and my studymates have applied principles related to the Tree, The Tetractys, etc. to groups small and large at various gatherings and parties. Sometimes they knew something was coming, sometimes not. Again we were able to take what was learned through lab development, apply it, and take observation of effects not just upon people, but plants, stones, and other forms of life. There were short term insights, and life changing events. This stuff is a 50 pound cat in 5 pound bag. Also, cleansing of spaces, and banishing; Consecrations and blessings. Re-alignments and activations. Ignitions and disolutions. Through trial and (occasional) error, we were able to refine a process that works in reality, in the 3rd dimension. And although we have not attained a lot of the potential that is contained within the practices of mutation/tranformation, we have at least begun to record effects in the physical world. The thrust of this thread being that although theory and practice in the lab is crucial for development and refinement, theory and practice in the field is crucial for confirmation and validation . The two are reliant upon each other; both intergral to the whole of the process of scientific achievement.
Questions to follow I'm sure. As well as a thread on superstrings, the highest physical frequencies possible. And you betta' believe that relates to this!
Frater An
In my field work, I suppose I have simply expanded the lab work to encompass a more dynamic range of subjects and tools. I will offer two examples to start. Then see where this goes.
Application 1. Public events.
Through my studies of the Body of Light as mapped out in the Tree of Life, abrahadabra, the Tetractys, the Chings, and a host of other related systems; as well as studying wave technology, (sound, light, radio, brain, etc.), human biology and chemistry - I was enabled to apply my art in network broadcasting, corporate and governmental teleconferences, clubs, concerts, large festivals, and sacred gatherings. Running the master control board, the sound board, or the light board, and then becoming the production manager or designing the entire production put me in a position to reproduce and study the effects of mutational alchemy upon subjects other then myself, or my studymates. In example, laying out a light show in sacred geometrical forms, assigning colors according to the Queen's Scale, or the King's Scale. Assigning beats based upon the Various Ching 'grams, or expanding and reducing frequencies based upon their placement on the Tree, or yet again, noting what frequencies induced changes, and in what order, then corrosponding them to the Tree/Ching/Tetractys to find insight to the waveforms' behaviour. When I would open a production, was there a difference in the mood of the crew, or crowd, when I did or did not apply a sigil or sign beforehand. What worked live? What worked through broadcast media? Length of effect? Type of effect? I was on it! All kinds of reactions! Some spiritual, some base, sometimes nothing, but usually something.
What I found was explosive. I was able to communicate to people in one of the most intimate nonverbal forms there is. Pure vibration. Combinations of sound, light, and magickal invocation/banishment produced real results. Some that lasted a minute, an hour, or a day; and others that lasted weeks, or even years. At times I could see an effect sweep across a crowd in a fraction of a second. Other times, weeks later, someone would have an epiphany related to what I had done. Ours is the Great and Secret Work. Aum.
Application 2. Ceremonial/Initiatory. Same principles in effect, but with different tools. Less tech and more prop. Over the years, Myself and my studymates have applied principles related to the Tree, The Tetractys, etc. to groups small and large at various gatherings and parties. Sometimes they knew something was coming, sometimes not. Again we were able to take what was learned through lab development, apply it, and take observation of effects not just upon people, but plants, stones, and other forms of life. There were short term insights, and life changing events. This stuff is a 50 pound cat in 5 pound bag. Also, cleansing of spaces, and banishing; Consecrations and blessings. Re-alignments and activations. Ignitions and disolutions. Through trial and (occasional) error, we were able to refine a process that works in reality, in the 3rd dimension. And although we have not attained a lot of the potential that is contained within the practices of mutation/tranformation, we have at least begun to record effects in the physical world. The thrust of this thread being that although theory and practice in the lab is crucial for development and refinement, theory and practice in the field is crucial for confirmation and validation . The two are reliant upon each other; both intergral to the whole of the process of scientific achievement.
Questions to follow I'm sure. As well as a thread on superstrings, the highest physical frequencies possible. And you betta' believe that relates to this!
Frater An