"Sacred Solfeggio" Frequencies

[MythMath]

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There has been quite a bit of evolution here since this thread was started...


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MythMath

Feb 4, 2009


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You may also be interested in this Solfeggio spin-off thread:

81-tone Expanded Solfeggio and Harmonic Proportion




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I've extracted this from the 19-point Starseed thread,
please help me examine the following,
any insights are welcomed...


The 18 'sacred solfeggio' frequencies (in Hz):

1- 147
2- 174
3- 258
4- 285
5- 369
6- 396
7- 417
8- 471
9- 528
10- 582
11- 639
12- 693
13- 714
14- 741
15- 825
16- 852
17- 936
18- 963
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18 Solfeggio tones assigned to the Starseed:



Each hexring of six tones adds up to 3330...

Any L/R polarpair adds up to 1110...

[My studio (20to20soundesign) address is 2220... ]

The total of all 18 tones equals 9990...

444, 555, 666 also make 'mean radial' appearances...

[MythMath]

Here is the revised layout for
the Solfeggio tones...

Also included is a second 18-tone scale
based on permutations of 123, 456 and 789...

Polar pairs (based on ordinal numbers) are now located
directly opposing each other on a common hexring:

[MythMath]

As shown above, the two scales of tones (also referred to as 'Mirrors') each contain 18 frequencies...

These 2 frequency groups can each be represented by their respective 'seed frequencies'...

Mirror One: 147, 258, 369

Mirror Two: 123, 456, 789


By permutating these seeds, the complete sets (of 18 tones per Mirror) can be constructed...

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I was playing around with the LSD (Lo Shu Diagram) as a Diamond and I noticed that
by connecting the numbers chronologically (Mirror Two, Fig. A), a particular sigil was formed...

I also noted that the same form (rotated a quarterturn, then flipped L-R),
also connected the numerical sequence for Mirror One (Fig. B)...

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When I look at Figure D, I'm reminded of the unicursal hexagram,
and regarding Figure C, a unicursal caduci-form is clear to me...




"As I inspect numericals, I expect new miracles..."

[m1thr0s]

Ok...I really want to understand all of this MM, so bear with me on a few points of confusion...I'm not totally stupid so if I'm not getting it , probably a lot of others aren't either...

first...what the hell are *The 18 'sacred solfeggio' frequencies (in Hz)* exactly? Is that just something you are calling this arrangement or does this already exists elsewhere?

second...you said:

These 2 frequency groups can each be represented by their respective 'seed frequencies'...

Mirror One: 174, 258, 369

Mirror Two: 123, 456, 789

By permutating these seeds, the complete sets (of 18 tones per Mirror) can be constructed...

...but this doesn't seem to connect with what you have illustrated below. Is this a typo? should it have read "Mirror One: 147, 258, 369"? Is Mirror 1 supposed to correspond to Figure B below?

third...I'm not quite sure what you mean when you say that Figure B is chronological but I did discover this upon inspection. In Figure A=Figure C the chronology is following the Heaven Descending pattern (as we might expect):

1 =
2 =
3 =
4 =
5 =
6 =
7 =
8 =
9 =

In FigureB=FigureD we do see an literal binary chronology following the Heaven Ascending pattern (note the gender lines simply trade positions):

9 (9) =
8 (6) =
7 (3) =
6 (8) =
5 (5) =
4 (2) =
3 (7) =
2 (4) =
1 (1) =

so they are technically both numerically chronological...is this what you were intending to allude to or something else?

edit: in any event this is a sweet little gem MM...qualifies on all counts as a legitimate magickal LoShu sigil...great work!

m1thr0s

[MythMath]

Cool, I got a nibble...

First, these 'solfeggio' frequencies were originally 'revealed' to me
by a stranger's voice in a phone conversation a few years ago...

That stranger subsequently became a client, friend and collaborator...

Any other source that I've found and checked claims
to have only 9 of what is obviously a set of 18 tones...

In the initial recording sessions, these tones were produced by a custom-made
set of tuning forks, but were soon replaced with digitally-generated sinewaves...

This allowed more consistency and overall control of the various parameters...

Working with the sinewaves led to the hunch about using an oscilloscope to
visually monitor what had been up to that point only an aural experience...

Second, yes it was a typo, and I corrected it to read 147...

[m1thr0s]

ok...thanks for the backgrounding. And now I think the really key question surrounds your use of the term "chronological" since it appears that they are in fact both binary chronologies...did you already know this or is this also some sort of "accident"?

or perhaps some third variable I am not as intimately aware of...like you are approaching all of this from a completely different angle perhaps...

m1

[MythMath]

Third, sorry it's a little muddled,
but Mirror One is Fig. B and Mirror Two is Fig. A...

It's interesting that you found that they both run chronologically,
and that it's reflected in the identical sigil form...

Are there two more chronological 'Mirrors' then...?

Via the Four Pillars...?

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PS - I dig the THC font...!

[m1thr0s]

yes...that's right...all you really have to do is reverse directions in your count and start from 9 - 1 and the other two should manifest...

this is some really great stuff MM...thanks for sharing this work here...

note: if it will help I can lay out the four arrangements in the form I have listed above... I would need maybe 30 minutes to set up the yins...I think it's already covered in some other chart someplace but still it might ring better laid out this way.

m1

[MythMath]

Thanks again for the insights...

How could one implement any of this, btw...?

[m1thr0s]

well it's a beautiful sigil to begin with so let's consider that as important since it is...it has a very "lunar" feel to it from my perspective and it's unicursal so you can't really lose...just about anything you do with this thing is gonna dance...

from a scrying standpoint you'd want to look to sound properties that seemed to follow its internal logic in one way or another...and you'd want to mix and match it's polarities as well to find something that really suits you the best and can achieve that whole balancing of opposites thing...

there's a lot of ways to go...it's all experimental stuff really but you dive into it and throw whatever you've got at it and it comes back at you with new reflections...new angles and so on...you're doin' this stuff already really...though perhaps still a little more on the mental plane...

scrywork isn't really so especially complex conceptually...it sort of is and isn't, but the technical aspects aren't really so difficult to grasp...it's more a matter of finding the *permission* internally to invest in it psychologically...you've already got all the analytical skills anybody would ever really want or need so far as I can tell...

so you know...poke around...there's talismanic stuff and scrying stuff and untried techno-magickal stuff and also more classical things...designing rituals and so on...a lot depends of what you are most comfortable with approaching. The thing with any powerful sigil is that you are approaching an intelligence that is only known to you by its signature initially. The name of the game is ascertaining that intelligence and also putting it to work for you in ways that may apply.

I mean look...you could start by just getting really stoned and gawk at the damn thing until one of you blinks, you know? Things do get more technically sophisticated than this but one should not discredit the basics either...

I feel like I may have seen this thing someplace before but I couldn't swear to it...a little research on that end might be helpful...might yield a clue as to how to best approach it but none of that is really vital...just additional ammo when available.

m1thr0s